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Danielle Feinberg
Danielle Feinberg
01:40

Danielle Feinberg

Pixar Animation Studios

Emeryville, CA USA

"You can get a lot of things by working hard...You don’t have to have some sort of genius; you just have to work hard."

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Danielle's work combines: Art, Technology, and Being Creative

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Day In The Life

Director of Photography

I am a digital animator of lighting at Pixar having worked on films such as Wall-E and Brave.

02:10

Day In The Life Of A Director Of Photography

My Day to Day

I work on the same film for roughly about 3 years. The first year, I do a lot of conceptual work thinking about what the look of the film is going to be and sourcing the technology we are going to need to pull it off. The second year is when more people start joining the team and we start to create things for the film. This stage is a lot of reviews, budget meetings, etc. The third year, I spend a lot of time in front of a computer helping solve technical and artistic problems with my team.

Skills & Education

Advice for getting started

I think the biggest challenge to overcome is when you are in a new situation and trying to find a way to push through until you get to the place where you have enough experience to know what you are doing. There is always something new or something not yet invented in my job that I have to figure out for the first time. I've had to learn to get used to the uncertainty and accept the challenge.

Here's the path I took:

  • High School

  • Bachelor's Degree

    Computer Science

    Harvard University

Life & Career Milestones

My path in life has been direct

  • 1.

    She went to Harvard University and studied computer science.

  • 2.

    She was especially taken with her computer animation and graphics classes, and decided that’s what she wanted to do for a living.

  • 3.

    She’s been at Pixar for over 20 years; she started in an entry-level technical position working on A Bug’s Life.

  • 4.

    She realized that lighting animation was really where the films came together, and that lighting brought together coding, problem-solving, and art in a way that felt magical to her.

  • 5.

    One of her favorite moments working at Pixar was getting to light the jellyfish in Finding Nemo.

  • 6.

    She’d fought to be able to light that scene, so when she got it, she stayed late for several days trying to make it look perfect.

  • 7.

    When she finally screened the scene with the director, the whole room started clapping; that payoff taught her that putting the extra time into her work would always be worth it.

  • 8.

    Says that women in art and technology have the power to change society faster than anyone, and encourages young women to use STEM to help change social issues they care about.

Defining Moments

How I responded to discouragement

  • THE NOISE

    Messages from Myself:

    I don't know how to do that.

  • How I responded:

    I think the biggest challenge to overcome is when you are in a new situation and trying to find a way to push through until you get to the place where you have enough experience to know what you are doing. There is always something new or something not yet invented in my job that I have to figure out for the first time. I've had to learn to get used to the uncertainty and accept the challenge.

Experiences and challenges that shaped me

Click to expand

  • As a woman in tech, I never felt like I had to fight my way to the top, but I have consistently wrestled with self-doubt. I tend to assume I don't know something or someone else knows more than me. I am often my own worse enemy.